Mrs. Brown, the first-nameless protagonist of playwright Chandos Fulton’s 1873 novelette, responds witheringly to the news that a friend’s daughter has wed a man of modest means. “It was a love-match, I suppose,” her friend Mrs. Campbell told her, and Mrs. Brown “did not deign a reply.”
As the plot of Fulton’s novel unfolds, Mrs. Brown meddles in her own daughter Adele’s romantic life, breaking off a would-be “love-match,” to fix Adele up with a wealthier suitor. Adele’s marriage to the moneyed fellow is an unhappy one, and a scandal breaks out when people incorrectly suspect Adele of having an affair with another man. It turns out that Adele was just lonely, and when Adele’s cold-but-wealthy husband Mr. Dick comes to understand this, he becomes an ideal husband on command. Adele Brown and her ambitious busybody mother both get a happy ending. The original love-match man who broke Adele’s heart due to Mrs. Brown’s scheming in Chapter Four is never mentioned again.
Mrs. Brown’s desire for Adele to marry a wealthy man is symbolized by a status-symbol that serves as the book’s title: “A Brown Stone Front.”
Newspapers in New York City had been advertising “brown stone front” buildings for sale and rent since the 1840s. Other cities followed suit, and a “brown stone front” remained an attractive selling point in real-estate for the better part of the following century.
What was originally a cheaper and easier-cut alternative to marble and limestone became synonymous with success in America.
